dir. David Winning
Part three of the inexplicable trilogy of Christmas films with fundamentally nothing to do with one another, preceded by Time for Me to Come Home for Christmas and Time for You to Come Home for Christmas. In this one, Lacey Chabert plays Sarah, who’s torn away from her high-flying corporate life to spend Christmas in a small town. How unusual for a Hallmark Christmas film. This time, she’s led to an inn by a mysterious invitation, alongside other guests (including an insulting “wise black man” trope, whose part was likely written for Ron Cephas Jones except he refused to take part) who seemingly have nothing in common… or do they? The central “mystery” of the movie is an absolute joke, with Sarah essentially wandering from person to person and occasionally exclaiming underwhelming discoveries about how her parents once came to the exact same inn. Of course, she also falls for the white guy with a chiselled jaw who runs the hotel. In a baffling side note, it really doesn’t even seem like anyone comes home for Christmas in this one, despite an awkward speech in the final minutes of the movie declaring that home is about people, not places. If that were the case, you’d hope the central couple’s chemistry was a bit more enticing than the complete burnout seen here.